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Bicep 'Aura' by Matilda Finn

Matilda Finn concocts an absorbing character-driven dreamscape for Bisep, involving a coach, a tank and a tower block.

What does it all mean? Linear storytelling certainly takes a backseat in another distinctive work by Finn. 

Piers James 'Samurai' by Luke Davies

Luke Davies decided against getting all counterintuitive when it came to Piers James's Samurai. And that was a smart move. Instead he made the most of the opportunity presented by the songtitle.

But as he explains, filming a samurai on Margate beach has its hazards...

 

Kid Crème 'Boy In The Picture' by Kyle Lewis

Filmed over three days in Cape Town, Boy in the Picture follows a destitute young boy as he salvages stuffed animals from a dump, before escaping to a kingdom of teddies. It’s Kyle Lewis's first production with Black Dog, and the shoot was used as an opportunity to train young South African filmmakers who came on board as trainees.

Matoma and The Vamps 'Staying Up' by Craig Moore

After the success of Up All Night, The Vamps and Matoma have teamed up again for the latest single – Staying Up. This time, the guys head to Norway for a fun-filled adventure, directed with his usual aplomb by Craig Moore.

Niwemang 'Yeksui' by Faisal Chaudhuri

Faisal Chaudhuri's visual for the opening track from the debut EP by Niwemang - a producer and writer duo who draw on Persian and Pakistani roots to create music which fuses spoken word with traditional spiritual and electronic sounds - reflects upon the meaning of Yeksui, a Sufi term for concentration and stillness.

Ibeyi ft. Kamasi Washington 'Deathless' by Ed Morris

Ed Morris reunites with Ibeyi for the first track to be taken from the Cuban-French twins' forthcoming second album Ash. As with his previous work with Ibeyi, he creates starkly conceptual imagery that has a mysterious aura, and deadpan magic realism about it.

The Wandering Hearts 'Devil' by Michael Baldwin

When The Wandering Hearts' arrive in a one-horse town to do a show, there's only one problem. There are no people, let alone horses, to watch them.

Michael Baldwin plonks the Hearts in a Wild West ghost town in his video for Devil. But then the band's rollicking performance gets the ghosts to come out and play. 

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