Veteran rock 'n roll rebel Peter Perrett's lacerating critique-cum-love letter addressed to the USA now has a great visual accompaniment directed by Focus Creeps which revels in its old school video aesthetic.
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In the pantheon of great British commercials, there are plenty of ads that are brilliant exactly because they are beautifully imaginative, well-crafted visuals applied to a fantastic piece of music. The whole of the Levi's campaign that started with the 'Laundrette' ad in the 80s worked on that premise. That doesn't seem to happen so much now.
Flexin' sees Rejjie Snow return to his hometown of Dublin in Jamie Delaney's unflinchingly sinister joyride.
Zayn throws a properly wild house party in the very stylish video for Still Got Time, directed by Calmatic.
Further distancing himself from the squeaky-clean boy band days of yore, Zayn gives over a Gatsby-like vibe of disinterestness as the world's coolest kids descent on his place and fill it with smoke.
Victor Aguilar - aka Zipi - transports us to a turn-of-the 20th century party for Leiva, packed with dancing, drink, drugs, hanky-panky and weird sex - and Michael Jackson.
When hanging out with your friends is much more rewarding than being with stinky boys...
Charlotte Rutherford pink-hued, neon-glowed video focusses on each of girlband The Aces's sad relationships with the opposite sex, in an enjoyably tongue-in-cheek affair for Physical.
Craig Moore gets back together with Tinie Tempah to make a sexually charged clip with a bevy of model types vying for Tinie's attentions.
Tim Mattia's clip for Hurts' Beautiful Ones is a powerful, heartbreaking story played in reverse.