A spectacular return to music videos by Japanese director Masashi Muto for Jonas Blue, in which the emotion of a crumbling love affair is represented through dance on the skyline and in the streets of Tokyo.
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From alt-J's striking original idea, Isaiah Seret has crafted an experimental epic for their song Pleader that draws on different artforms and ultimately has nearly spawned a new one. This is a music video that could also described as a short dramatic musical.
A strong and very engaging dance performance is captured by Giovanni Bolzani Valenzano at close quarters in his video for Urameshi.
As the work progresses, the dance led by Emma Farnell-Watson is intercut with shots of an elderly lady - the retired ballerina who is recalling herself in flashback, when she was young, beautiful and could dance.
Chris Barratt and Luke Taylor - aka directing duo Us – return to music videos after a very long hiatus with a big, messy video for Harry Styles.
Francis Wallis directs illustrious house DJ Marc Kinchen aka MK’s new video for 17, exploring the subculture of Kuduro dancing, that has been emerging from some of the most notorious and vibrant neighbourhoods of Lisbon.
Zhang+Knight travel to South East Asia for Naughty Boy and Joe Jonas's One Chance To Dance, to tell the story of two young girls living in rural Vietnam who are infatuated with cinema.
David Wilson returns to music vids with the new Chromeo video, and heading for the orange groves of verdant California, in the process makes probably the best ad in the world ever for freshly squeezed OJ.
Daniel Alexander Harris does a take on the Sliding Doors idea for Fickle Friends, showing how things pan out when two versions of the same young man - one super-confident, the other racked with self-doubt - go to attend a cool house-party.