Andrew Donoho's third music video for Twenty One Pilots picks up where we left them in his last one, with Tyler Joseph clambering on a burned-out car. It catches alight once more, and so we're off again on another gripping journey, set amid spectacular mythological landscapes.
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Taking it’s cues from themes explored in Idles’ second record, Will Hooper's video for the Bristol band's Colossus is a brooding response to being overwhelmed - by maintenance, by connecting, by solitude. Overwhelmed to the point where you become entirely consumed in a moment.
Bouha Kazmi's video for legendary French band Indochine’s Station 13 is not for the fainthearted. Visceral, brutal and harrowing, it's also an extraordinary achievement.
Max Siedentopf - who recently joined Riff Raff Film's new talent department Nursery Of Evil – directs this bonkers new video for Dutch band De Likt.
Gerardo Naranjo, director of TV shows Narcos and The Bridge, has collaborated with Interpol to create a brilliantly experimental video for their track The Rover, from the upcoming sixth album.
Niall Trask pushes the envelope of old school video effects in his retina-scorching video for Phobophobes.
Shot on VHS and mashed up in the edit - using a hacked Radioshack video colour processor - Trask employs both digital and analogue techniques to create a completely warped performance video of Child Star, and blow the viewer's minds. Or at least induce a migraine.
For the first single of Dry The River lead singer PD Liddle's debut solo album, Brock Neal Roberts' delivers a restrained dystopian vision where a middle aged women must undergo a remarkable transformation, in order satsfy the demands of her male counterpart.