Stephen Agnew repairs to an English country pile with Isaac Gracey and an increasingly wacky collection of vintage recording equipment.
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Jared Hogan has created a series of simple but hugely striking portraits of ordinary people for alt-country artist HC McEntire's heartfelt Baby's Got The Blues.
The subjects are all connected to Heather (HC) McEntire, and some of them also become her fellow performers...
Christine & The Queens returns with the hugely catchy Girlfriend, and a new street urchin-style look which fits perfectly with the idea for the Jordan Bahat's video, inspired by the amazing photography of New York skyscraper construction workers in the 1920s and '30s.
Brendan Cleaves takes us on an atmospheric and surreal roadtrip with East London psych-rock outfit Saint Agnes for their slowburning rumble The Witching Hour.
It's evocative of numerous classic films where dodgy back projection just adds to the spectacle, with band members - and other mysterious passengers - sometimes there, sometimes not...
Ozzie Pullin's video for Calum Scott chronicles key moments in a life, from boy to young buck to old man - with Calum at the strong centre of everything, wise before his age.
Stevie Gee has created a suitably kick-ass cartoon for Candadian hardcore metal-punks Cancer Bats' intensely rocking Gatekeeper, from the new album The Spark That Moves.
Kerinne Jenkins has directed an intimate piece for Australian artist Okenyo for her song Utopia which is, in her words, "simply about one of the best days I had with someone. An escape from reality, just us, a moment in time."
From that jumping off point Jenkins has created heartwarming portraits of Okenyo and also her nearest and dearest.
Salomon Ligthelm creates a hypotic dreamscape for Bearcubs, with a flight into fantasy inspired by a clip of Disney's Peter Pan, witnessed on TV by the dozing protagonist.